We were interested in
exploring the interaction between the individual and their urban
environment. One’s everyday life can
cause their physical surroundings to be assumed and then invisible due to the
repetitive nature of social practice. We developed a scheme to transform 14-16 Cowcross Street , aiming to facilitate a
moment of self-realisation for the many daily inhabitants of Farringdon; not by
interrupting a social practice per se but by holding up a ‘mirror’. The
architecture would be re-instated and used as a tool to reflect &
comprehend one's position in the urban environment.
'We never look at just one
thing; we are always looking at the relation between things & ourselves …
Soon after we can see, we are aware that we can also be seen. The eye of
the other combines with our own eye to make it fully credible that we are part
of the visible world'
(Taken from ‘Ways of
Seeing’, by John Berger)
Inspired
by Berger, our installation encourages visual & physical connections in
order to playfully animate one’s social & spatial awareness in the city
context. The art of perspective projection was utilised, the geometries
of which become perfectly legible from one vantage point only. Move from
this point, and the message will distort into abstract forms, dissolving the
individual back into their everyday experience.
interaction with the installation on the opening night
image projected on the facade: highlighting the window composition and the plan of the individual's interaction on the street
The installation started as the first line was drawn (
creation of the installation
Throughout the creation of the installation, we engaged with many passers-by,
developing relationships with some of the inhabitants that form Farringdon -
from the local 'hoodies', Network Rail construction workers, the local drug
dealer, commuters, the ABA caretaker, tourists - the list goes on. It was
a privilege to engage in a community who all actively appreciated and engaged
with the installation we were creating.
interaction of the passer-by
No comments:
Post a Comment